Comrade Nguyen Chi Dieu (1908-1939) was from Thanh Tien village, Phu Mau commune, Hue city, Thua Thien Hue province. He is a revolutionary activist and an elite member of the Party who has made many contributions to the cause of national liberation and unification. From 1925 to 1927, he actively participated in the strike movement, the movement to demand amnesty for Mr. Phan Boi Chau and mourn for Mr. Phan Chau Trinh while he was a student at Hue Quoc Hoc School. Here, he joined the Tan Viet Party. In 1928, Nguyen Chi Dieu was a member of the Tan Viet Revolutionary Party's Central Committee. In 1929, he was sent to Saigon to operate. On February 3, 1930, the Communist Party of Vietnam was established, comrade Nguyen Chi Dieu became one of the first leaders of the Saigon - Cho Lon City Party Committee, then became Secretary of the Gia Dinh Provincial Party Committee. . In October 1930, he was arrested by the French colonialists in Saigon prison, sentenced to hard labor for life and exiled to Con Dao. In June 1936, he was pardoned and returned to the mainland, continuing his revolutionary activities and participating in the Party Central Committee, in charge of the Central region. In 1939, due to a serious illness, comrade Nguyen Chi Dieu passed away, and was buried at the cemetery named Phan Boi Chau (No. 5 Thanh Hai Street, Hue City). Comrade Nguyen Chi Dieu passed away at a very young age (31 years old) but left behind a shining example of the revolutionary will and loyalty of communist soldiers with the patriotic fire, forever. "immortal" in the heart of homeland and country. This house, where comrade Nguyen Chi Dieu was born and raised, was built during his grandfather's lifetime and was originally a thatched house. Around 1929, Mr. Nguyen Chi Thong (comrade Nguyen Chi Dieu's brother) spent money to rebuild the house according to the current Hue communal house architecture on the old house's foundation. With the above historical values, the Comrade Nguyen Chi Dieu Memorial House Historical Relic has been ranked as a National Monument by the Ministry of Culture and Information (now the Ministry of Culture, Sports and Tourism) according to Decision No. Decision No. 2307-Decision/Culture dated December 30, 1991. Source: Thua Thien Hue Electronic Information Portal
Hue 4312 view
Do Nghia communal house is located on a high mound of Do Nghia village (Son Vi commune, Lam Thao district, Phu Tho province), built around the late 17th and early 18th centuries, with typical architecture of Doai land. The communal house worships Dai Hai Long Vuong at the same time as Tan Vien Son Thanh serving the Hung Vuong dynasty. The communal house has a total area of 4,636m2, the architecture is in Dinh style. The communal house gate consists of one main door and two side doors. The main gate is arched, decorated with decorative motifs, frills, and artistic patterns. In the communal house, there are many very valuable artifacts such as: bowl-shaped palanquin (artistic decoration of the Le Dynasty in the 18th century), literary palanquin (artistic decoration of the Nguyen Dynasty), a set of halberds, 3 trays, and an embossed literary stand. A dragon flanks a moon face, a base carved with the image of a Dragon saddle, a bench decorated with holes in the shape of a dragon, a turtle, a phoenix, a jade genealogy of 16 ordinations from the Le Canh Hung to the Nguyen dynasties... As a unique artistic architectural work, an exemplary image of traditional national architectural style, Do Nghia communal house has been recognized as a national historical and cultural relic according to Decision No. 1539 dated January 27. December 1990 SOURCE: Electronic Information Portal of Ministry of Culture, Sports and Tourism
Phu Tho 4143 view
Phuc Thanh Pagoda is located on Ngoc Phac Mountain, on the right bank of the Red River. The pagoda currently has two buildings: Thieu Huong and Thuong Dien. According to the stele erected at Thieu Huong Court, Phuc Thanh Pagoda was built in 1145, during the reign of King Ly Anh Tong, in the reign of Dai Dinh. The pagoda was built by Mrs. Phung Thanh, Mrs. Le Thi Xuan Lan, a descendant of King Le Dai Hanh and the fourth wife of King Ly Than Tong. The pagoda is associated with heroic historical events, an example of resilient, indomitable fighting and the noble sacrifice of the daughter of the homeland of King Hung in the fight against the Southern Han invaders. That was the female general Princess Xuan Nuong, a talented general during the uprising of Hai Ba Trung. In the pagoda, there are still many precious artifacts such as the statue of the Monsignor, the statue of Guan Yin Buddha, the statue of the Earth Mother, the statue of the Holy Mother Le Thi Xuan Lan... and some stone relics dating back to the Ly Dynasty. High sculptural value is the stone stele of the 9th year of Chinh Long Bao Ung (1171), the stone for the base of the column, and the stone incense bowl. These relics are rare carvings remaining today. They bear the mark of stone carving art of the Ly Dynasty, expressing the concept of belief and the desire for a peaceful and happy life. SOURCE: Phu Tho NEWSPAPER
Phu Tho 3835 view
Notre Dame Temple (Huong Non, Tam Nong, Phu Tho, Vietnam) is a place to worship Princess Xuan Nuong - who had great contributions in the uprising at the beginning of the common era. She was appointed by Trung Vuong to the position of General of the Left General and Counselor when the Han Dynasty sent Ma Vien to invade our country again. She and her husband, Mr. Thi Bang, fought bravely against the invaders and both heroically sacrificed their lives. Legend has it that the place where the Lady's temple is now is the place where insurgents gathered and was also the place where she died. Admired by her merits, the local people built a temple and she was awarded the title of Duc Ban Canh Dong Cung First Eight Vicious Princess Xuan Nuong. SOURCE: Central Agency of the Communist Party of Vietnam
Phu Tho 3914 view
Bong Lai Pagoda (Xa, Ha Thach, Phu Tho, Vietnam) was built on a hill shaped like an elephant. From here you can see all four directions. Bong Lai Pagoda faces southwest, overlooking the Red River. Approaching Bong Lai Pagoda, right from the Red River dyke, we can admire a "Bong Lai fairyland" island in the middle of green rice fields, nearby is a church and ancient houses looming behind the leaves of ancient trees. , floating in the blue sky. The pagoda has beautiful architecture, in the middle of the highest beautiful hill in the area, like a link between heaven and earth, between yin and yang. From the dike to the pagoda, we have to climb a long slope to reach the Buddha's door. A cool, soothing atmosphere of frangipani flowers and ancient foliage creates a feeling of relaxation and calm. According to the epitaph, Bong Lai Pagoda during the Le Dynasty had a foreign interior-style architecture, including 36 compartments, symbolizing 36 hamlets of Ha Thach village. Experiencing the events of social history, the massive Bong Lai Pagoda gradually faded into oblivion. Up to now, the architectural layout of the pagoda is arranged as follows: Outside the pagoda is a redone three-entrance gate (the old three-entrance gate was demolished in 1953) from the gate follows a straight path to the 200m2 red-tiled pagoda yard, on the left. The yard is a newly built 3-room house, with a row of stone steles on the right side. The main architecture of the pagoda consists of two nail-shaped buildings, built on the highest ground. The 5-compartment frontage is 14m long, 3.1m wide, newly built over 20 years ago, the architectural structure is in the style of hitchhiking with walls and pillars. The second building has a 5-compartment upper palace structure, 13.5m long, 8.7m wide. The truss structure of this building includes the first beam and the roof supporting pillars. The upper palace of Bong Lai Pagoda remains relatively intact with its old architectural components. There are 20 large and small wooden columns in total, each one is 3.6 m high and 1.25 m in circumference; The sub-column is 2.5 m high, 1.0 m in circumference; The column body is painted red and painted with a scrolling dragon image. Notably, there are still two rafters from the 17th century, a major restoration during the Chinh Hoa period. In particular, in the pagoda there are many pillar footrests, made of fine-grained green stone, square with each side 0.4 m, on the surface is carved a two-layer lotus flower, each layer has 18 petals, the innermost circle is the place for contact with the base of the column. These are millstones from a major restoration in the 17th century. SOURCE: ENGLISH ONLINE
Phu Tho 4115 view
Quy Lai is an ancient village in Thua Thien Hue. Since its founding, it has gone through many ups and downs of history and natural events, but with a spirit of hard work and a steadfast bravery in the face of challenges. With changes in nature and society, Quy Lai people have created a fine cultural tradition, along with many other cultural values, those cultural values are crystallized into Quy Lai Communal House, which has been and continues to be. promote a prosperous, happy, rich and beautiful life Quy Lai people today. Quy Lai Communal House belongs to the Nguyen folk architecture line, more or less inheriting the Northern folk architecture line. Studying Quy Lai Communal House, we see the inheritance and promotion of the techniques and fine arts of our ancestors. under new geographical conditions, natural environment, and humanity. The earliest Sino-Nom document mentioning Quy Lai Communal House is the Hoi Dinh newspaper about the renovation of the two God Emperor temples and the reclamation, due to long-term damage, dated February 22, the 2nd year of Tu Duc (ie the 26th day of the 19th century). March 1849). We can surmise that Quy Lai communal house was built around the beginning of the 19th century. Since then, the communal house has undergone many restorations and repairs, including a major restoration, recorded in Han Nom documents kept in Hanoi. The village's coffin was restored in 1937 (the 11th Bao Dai). Quy Lai communal house relic was recognized as a national relic according to Decision No. 43/2005-Decision/Ministry of Culture and Sports dated January 18, 1988 of the Ministry of Culture and Information (now the Ministry of Culture and Sports). Sports and Tourism). Source: Thua Thien Hue Electronic Information Portal.
Hue 3835 view
Next to the system of mausoleums, citadels and temples of the Nguyen Dynasty. Today, in Thua Thien Hue in general and in the suburbs of the capital, many ancient architectural works are still preserved. Among them is a system of clusters of architectural and artistic relics: communal houses and pagodas in Thuy Duong village. The cluster of architectural and artistic relics: Communal house - pagoda of Thuy Duong village includes the following main works: Communal house and pagoda of Thuy Duong village, Dong Hai pagoda, Nam Son pagoda. The system of relic clusters has the architectural style of the Nguyen Dynasty and is also a system of communal houses and village pagodas - a fairly typical village cultural feature remaining on the land of Thua Thien Hue in general and Thuy Duong commune in particular. Therefore, the appearance and formation of the cluster of architectural relics: Communal house - pagoda in Thuy Duong village is evidence proving the formation of Thuy Duong village under the Nguyen Dynasty. This is a system of communal house - pagoda relics containing all the main structural elements of communal house - village pagoda in Hue. Everything is blended and intertwined with each other in both architectural level and style, from the patriotic tradition of national unity and the beauty of traditional Dharma. Communal house - pagoda in Thuy Duong village with over 200 years of existence in an Agricultural village, it is the symbol and strength of a village, a place to worship gods and ancestors, and a place for villagers to meet and worship. Ceremonies and festivals share spiritual communion and strengthen the strong bond between people in their ancestral homeland. From this village communal house and pagoda, people are positioned for a responsible life not only for each individual and family but also for the whole community, in harmony with the love of neighbors, continuing traditions in the present. The communal house and pagoda of Thuy Duong village with its unique architecture reflects the close relationship in the overall architectural works of the Nguyen Dynasty of the ancient capital of Hue in general and Buddhism in particular, from great landmarks such as Thanh Duyen Pagoda, Tu Dam pagoda to small scenic spots (village pagodas). The communal house and pagoda of Thuy Duong village was recognized by the People's Committee of Thua Thien Hue province as a national historical and cultural relic according to Decision No. 05/1999/Decision-Ministry of Culture and Sports dated January 12, 1999. (now the Ministry of Culture, Sports and Tourism). Source: Thua Thien Hue Electronic Information Portal.
Hue 3466 view
Hon Chen Palace is where in the past, Champa people worshiped the goddess Po Nagar. Afterwards, Vietnamese people who followed the Thien Tien Thanh religion continued to worship her under the name of Holy Mother Thien Y A Na. In addition, at Hon Chen Palace, Buddha, Thanh Quan Cong and more than 100 saints who are disciples of the above gods are worshiped. Hon Chen Palace is known to many people not because it is a religious relic but rather because it is a place with lovely architectural works and picturesque scenery. Hon Chen Palace was built on Ngoc Tran mountain, a mountain with lush vegetation, hanging on the edge of an abyss, which is the deepest part of the Perfume River. On the top of the mountain there is a depression, several meters in diameter, surrounded by a ring of rocks built like a well. Whenever it rains, water condenses, looking like a bowl of clear water, so this mountain is also called by the people. is Hon Chen. About 10 lovely architectural works of the Palace are located halfway up the gentle southeast slope of the mountain, hidden in the shade of an ancient forest with lush foliage. The system of steps runs from the Palace to the water wharf (Huong River). The architectural plan of the entire Palace is not large, including the main shrine Minh Kinh Dai in the middle, on the right is the Quan Cu house, Trinh Cat Vien, Thanh Pagoda, on the right is the Ngu Vi Thanh Ba palace, the altar of mandarins, The cave worships Mr. Ha Ban (ie Mr. Ho), Ngoai Canh temple. Below the riverbank, at the end of the street on the left is Thuy Phu hermitage. On that architectural surface, there are also a number of altars and small shrines. Hon Chen Palace has been recognized as a national relic according to Decision No. 2009/1998/Ministry of Culture and Sports, dated September 26, 1998 of the Ministry of Culture and Information. Source: Thua Thien Hue Electronic Information Portal.
Hue 3523 view
Pho Quang Tu complex includes basic architectural works: Three gates - Bell tower, writer's house, Pho Quang pagoda, stele house, Patriarch's house. The three-entrance gate - the bell tower at the pagoda still preserves the ancient architecture in Phu Tho province, with a 2-storey, 8-roof roof system, elegant curved blades, and a roof shaped like a rolling water dragon. Thuong Luong is engraved with Chinese characters: "Hoang Trieu Minh Mang for two decades" (i.e. Minh Mang's 12th year - 1839), the ends are carved in the shape of a lotus flower. On the bell tower hangs the bronze bell "Pho Quang Tu Chung" and the bronze bell are both dated to the 20th year of Minh Mang - 1839. The book Vietnamese Sino-Nom Inscriptions (Hanoi, 1993) summarizes the content of the engraving. on two stone steles at the temple. A stele created in 1628 said that the pagoda was a famous ancient temple that was damaged, so in 1626, the Tin mandarins, Phu Xuyen marquis Nguyen Hieu Dung, Nguyen Van Vi and about 70 guild masters revived the founder. Organizing the restoration of the upper palaces, burning incense, front hall, rear hall, three gates... A stele created in 1634, engraved with the poem Tang Luat 8 lines by Pham Su Manh in 1377 talks about going on tours in this area. Pho Quang Pagoda was built in the style of the letter "Cong", tiled, and has two levels. The upper level pagoda is 10m high, 7m long, has three compartments, and has an entrance door from the Patriarch's house to the pagoda. The lower level pagoda is 16m wide and 13.5m long, including 5 compartments. Pillar stones come in square and octagonal types with decorations similar to that of a leaf. In the middle of the pagoda there is a great painting and two parallel sentences. Pho Quang Tu has architecture in the style of early planting and simple sculpture. The Three Jewels Court includes: Worshiping Hall, Incense Burning and Main Hall. The wooden structural frame with the roof rafters is made in the style of "Gongs are high, gongs are stacked - beams are lowered". Xuan Lung Pagoda currently holds more than 30 statues made of wood and earth, arranged on pedestals. SOURCE: Department of Tourism of Lao Cai province
Phu Tho 3889 view
After more than 700 years of ups and downs, Xa Loc temple (Tu Xa, Lam Thao, Phu Tho, Vietnam) still retains its inherent value, a place for people near and far to express gratitude for their sacrifices and kindness. The benevolence and patriotism of the brave general Lan Ho Hau - Governor of the Great King. In 1991, Xa Loc Temple was ranked a National Historical Monument by the Ministry of Culture, Sports and Tourism. Today, along with preserving and preserving artifacts in the temple, the local government has actively mobilized social capital to continue repairing and embellishing the temple, promoting its great spiritual significance. not only to the people of Tu Xa commune but also demonstrates the nation's moral principle of "when drinking water, remember its source". Xa Loc Temple's architecture is considered typical of the architectural art of worship in the province. The temple was built in the style of Nhi, including Dai Bai and Thuong Cung. The back of the Temple is based on the position of King Hung's Ancestor Temple on Nghia Linh Mountain, the Temple faces South, surrounded by daffodils. Dai Bai house has 3 rooms, for gongs, drums, worshiping horses, and worshiping chambers with swords, knives, and spears painted in red and gold. This is also a place to worship the souls of martyrs who died in battles to protect their homeland. Inside Dai Bai is the Upper Palace worshiping the god Lan Ho and worshiping Phung Sao Stone and Phung Sao Den - two talented subordinates of the god Lan Ho. On the left and right sides are houses built with simple architecture, three rooms for relatives, villagers, and tourists from all over to prepare for the ceremony to enter the temple to burn incense. What impresses everyone when coming to Xa Loc Temple is that the grounds inside the temple are covered with ancient trees, creating shade and fresh air. In 2017, the Temple was expanded to a campus of more than 1 hectare, with a lotus pond and three-entrance gate, creating a majestic and beautiful look for the temple. SOURCE: PHU THO NEWSPAPER
Phu Tho 3954 view